Kellin Quinn had the nerve to imply that the album is full of social commentary, seeing as ‘the band has a platform to do so’. While everything about Gossip is terrible, the absolute worst thing about this record is the lyrical content. Besides this, a lot of verses on the album sound eerily similar to those of their song ‘Roger Rabbit’, just a whole lot less acoustic and listenable. Almost every chorus follows a similar chorus simply repeating a line several times. Lead single Legends is the perfect example of the many failed anthems on Gossip the horrendous repeated ‘woah-oh’s are neither catchy nor fun, and become annoying before the 30 second mark. While their try-hard singalong choruses may not have been perfect in the past, songs like Kick Me and Congratulations at least had a bit of a fun factor. The highlight of Gossip comes in the form of a boring riff on The Chase, which is naturally abandoned after about ten seconds.Īnother remarkable achievement is the fact that Sleeping With Sirens attempted to fit 11 anthems into one album, but didn’t succeed to write one memorable hook. Who needs dull drumming when you can have a single lifeless electronic drumbeat throughout the entire goddamn record? Occasionally, the band decides to throw in a guitar, most likely for the sole purpose of them being able to call themselves a “rock band”. Sleeping With Sirens is embracing the fact that it is very much the Kellin Quinn show by replacing almost all instruments with electronically produced sounds. It’s genuinely impressive how Gossip fails to have a single redeeming factor. However, let’s be real: this record didn’t have a chance anyway. Bendeth, known for having produced other life-changing records such as Of Mice & Men’s Cold World, forces his lifeless production upon Gossip to minimise any chance of succeeding this record might have had in the first place. According to the ‘Behind The Gossip’ videos, producer David Bendeth made the vocalist feel very comfortable during the recording process, which is very evident considering the incredibly dull performance. Even when Empire To Ashes seems to build up to something engaging with some raspier vocals, the song turns to a lazy ***ing ‘woah-oh’ instead. Besides this, he often tries to sing in a lower key and clearly struggles to produce any interesting sounds. Which brings us to the first noticeable problem with Gossip: Kellin sounds terribly restrained. Even when the band gave in to ripping off riffs or bland drumming, Kellin Quinn’s vocal range had the ability to make songs bearable.
At times, Sleeping With Sirens was able to create a perfect balance between poppy choruses and more aggressive, guitar driven verses.
While definitely worse than their first two albums, I quite enjoyed some songs off Feel and Madness. What was going on in the head of Kellin Quinn and whoever else is in that band when they wrote the songs that ended up on the album? What inspired the pop “rockers” to create one of the worst albums of this year? For this exact reason, I spent an entire evening watching the ‘Behind The Scenes’ videos of Sleeping With Sirens’ new album Gossip. Their superficial insights into the minds of twisted people is a great way to kill (heh) time.
#Sleeping with sirens gossip album lyrics serial#
I think I can speak for many of us when I say that serial killer documentaries are interesting. Review Summary: Even worse than its artwork.
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